Review of RAFIO FREE ALBEMUTH

RADIO FREE ALBEMUTH - 2010

NICK BRADY works in his father's record shop in the 1980s and is frustrated because dad insists CDs will never replace vinyl. He also has strange visions which upset his wife RACHAEL so much, she thinks about leaving him, though she drops that idea when she gets pregnant. Nick calls the source of the visions VALIS, Vast Alien Living Intelligence System, but he worries the visions may be a symptom of mental illness. One vision tells him that his infant son has a strangulated inguinal hernia, and when Nick rushes the baby to an emergency room, it turns out the vision was right, and Nick is reassured about his sanity. Then the visions tell him to move to LA; he obeys, gets a job with a recording company, and prospers.

It's a difficult time for America. The president, FERRIS F FREMONT (FFF--666), is running for a fifth term, and uses the threat of a terrorist organization, ARAMCHEK, to justify increasingly restrictive measures. One of his big-brother organizations, FRIENDS OF THE AMERICAN PEOPLE (FAP - look it up in the Urban Dictionary) wants Nick to help them with their propaganda. He refuses. FAP goes to SF author and Nick's best friend, PHILIP K. DICK, (hey - he wrote the book, so why shouldn't he put himself in his own story?) and ask him to spy on Nick. Nick also refuses. FAP and Fremont do not like to be refused…

In the film, PKD describes his novels as sounding like they were written on LSD. I'd say like they were written by a schizophrenic. Either way, he is an excellent storyteller, and this movie is pretty faithful to his novel of the same name.

In some ways, PKD is prescient. Decades before the Patriot Act (but decades after Orwell's 1984) which Bush introduced and Obama continued, Dick describes similar measures implemented by President Fremont. Dystopian stories are common; this one is better than most, and the quasi-supernatural flavor added by Valis adds to it.

There is a fair amount of religious symbolism towards the end, and this slows the pace, but it doesn't take up a lot of time. Though it's gotten bad reviews, I consider it an engaging and interesting flic. And as a workout movie, it will get your pulse up to a run. I rate it as ++++.

Review of 2001-A SPACE ODYSSEY

2001 - A SPACE ODYSSEY- 1968

Act one. A dark screen and ominous music. We see a beautiful savannah with our human ancestors living their pitiful lives. Then more advanced ancestors. The theme from R. Strauss's THUS SPAKE ZARATHUSTRA announces the MONOLITH, a featureless gray oblong. Excited hominids gather about it and soon afterwards discover how to use a bone as a weapon. They exult.

Act two. A match cut switches from the bone to a space shuttle serenely approaching an artificial satellite.  J. Strauss's BLUE DANUBE waltz plays in the background. HEYWOOD R. FLOYD is going to the quarantined TYCHO base on the moon. The rumor is that a dangerous infection made the quarantine necessary, but the real reason is another monolith, this one uncovered after being buried in lunar soil for three million years. The government wants this find kept secret lest it cause panic. Floyd goes to inspect the monolith just as the lunar dawn is breaking, and the artifact, seeing the sun for the first time since it was buried, sends a powerful radio signal direct to Jupiter.

Act three. Spaceship DISCOVERY, with FRANK POOLE, DAVID BOWMAN, and HAL, a 9000 computer, (plus some hibernating scientists) are on their way to Jupiter. All seems well, but then HAL asks Frank questions about unprecedented secrecy surrounding their mission, and immediately afterwards announces an impending failure in a communications unit. The astronauts retrieve the unit, but examination shows no problem. Could HAL have made a mistake? The 9000 computers have an absolutely error free records. Frank and David lock themselves into an EVA pod and discuss whether HAL's intellectual function should be shut down. However, the pod has a window, HAL has vision sensors all over, and he can read lips...

At this point, the theater version breaks for a long intermission. Some televised versions skip the intermission, which is a shame.

H+1 is I. A+1 is B. L=1 is M.  IBM. Deny it though they may, I think it's intentional.

This movie is a masterpiece, more, I think, because of Stanly Kubrick's directing than to Arthur C. Clark's writing. Though Kubrick and Clark collaborated on the screenplay, the original book is standard science fiction, while the movie is a mystical experience. The book explains the monolith's actions, Hal's breakdown, the ornate room at the end of the film and more. The movie only hints at these and leaves you wondering. HAL in the movie is much more ominous than in the book, and the uneasiness of the two men when talking to HAL is palpable.

If you've never seen this film, you're missing something. Even if you saw it decades ago, it's worth renting.

The action is unhurried. For example, while the Millennium Falcon enters the Death Star in a few seconds, it takes a few minutes for the Floyd's shuttle to enter the station. But the movie doesn't drag. That scene is a dance in space and it maintains your interest. As a workout movie, the final scenes are a bit monotonous, but the rest of the movie will easily get your pulse up to a run. Overall, I give it ++++.

There's a sequel, 2010, which is good, but not at the same level as the original.

Review of INTO THE WOODS

INTO THE WOODS

This movie blends four classical fairy tales into a musical mélange that is a treat to watch. A reasonably accurate version of Cinderella, Jack and the Beanstalk, Rapunzel, and Little Red Riding Hood, is all joined together by a new tale of the barren baker and his wife. This couple is childless because an ugly old witch (Meryl Streep), furious that the baker's father stole greens from her garden, cursed the house with infertility. However, she's willing to remove the curse if the two bring her "the cow as white as milk, the cape as red as blood, the hair as yellow as corn, and the slipper as pure as gold."

Red Riding Hood has the cape, and Rapunzel has the hair. In this version, Jack's cow is milky white and Cinderella's slipper is of gold. Though the path is strewn with obstacles, the baker and his wife finally get all four of the required objects (Rapunzel's hair doesn't work, but they find a substitute) and feed them to the cow who promptly gives milk that makes the witch young and beautiful.

The witch keeps her promise, and the baker's wife promptly becomes nine months pregnant. Cinderella and Rapunzel get their princes, Jack is rich from the gold he stole from the giant, and the-girl-who-is-called-by-her-clothing gets a nice, new wolf-skin coat. (What will they call her now?) So everyone lives happily ever after. Right?

Wrong. The second half takes a distinctly darker tone, and that's the whole point of the movie. Even when the situation seems ideal, life brings surprises.

The movie is taken from the play of the same name by Stephen Sondheim, and follows the same general plot line. The play was written in 1987 at the height of the AIDs epidemic, and may be a metaphor for that tragedy. The movie, a 2014 Disney production when AIDs is more controllable, is much less edgy. (The wolf in the play, for example, is half naked with an erect penis. Not so Johnny Depp.)

All in all, it's the movie is wonderful entertainment. The music, the plot, and the acting are outstanding. As a workout movie, it should get your pulse up to a run. I give it ++++

By the way, DVD's for both the movie and the original play are available.

Review of SNEAKERS

SNEAKERS

In 1969, MARTIN BRICE and COSMO (apparently no other name) are cyber-pranksters playing Robin Hood. Martin leaves their apartment to get pizza, and a few minutes later, the police, not happy with how the youths redistribute wealth, break in and arrest Cosmo. Martin goes on the lam.

Fast forward to the present (1992), where Martin, now MARTIN BISHOP (Robert Redford), heads a respectable but scarcely profitable team of security specialists. They who break into banks and then tell the managers where their defenses are weak.  Other team members include: DARREN "MOTHER" ROSKOW (Dan Aykroyd), who believes (among other things) the moon landing was staged; DONALD CREASE (Sidney Poitier), a CIA officer who left under mysterious circumstances, CARL ARBOGAST, a young, horny genius; and IRWIN "WHISTLER" EMERY, who is blind.

They are approached by two NSA agents, DICK GORDON and BUDDY WALLACE, who are impressed by their reputation. Dick and Buddy are willing to pay large amounts of money to steal a box capable of breaking any code from any government or business in the world. Martin and his friends are reluctant, but the two NSA agents sweeten the deal; they know Martin is a fugitive, and they can clean his record if he cooperates, or send him to jail if he doesn't.

They manage to steal the box without too much trouble, thanks to blind Whistler who, with Holmesian logic, deduces where it is. They give the box to Dick and Buddy, but OH NO—those two aren't real NSA agents. They are part of a conspiracy led by, of all people, Martin's old buddy, Cosmo (Ben Kingsley). The crew must run for their lives, and then steal the box back again or chaos will result.

This movie has some silly parts--for one, Cosmo ignores a prime rule for successful villains (kill the hero yourself instead of delegating it to a henchman and walking out of the room)--but these aren't bad enough to spoil the movie. The cast has top notch actors, and the interplay between the team members, especially paranoid 'Mother, and the others' is fun, Scenes of violence and action are nice interspersed with the humor. Except for some vague bashing of governmental intrusions, there's no social significance or intellectual message, but it's fun. Overall, I rate it at ++++. It can get your pulse up to a run.

Review of TOP DOG

TOP DOG

Sergeant LOU SWANSON is investigating a hate-crime bombing. His police dog, RENO, a Briard, leads him to a moored boat where Lou finds explosives. Unfortunately, neo-Nazis find him, and shoot both him and the dog. Miraculously, Reno survives.

Switch to detective JAKE WILDER (Chuck Norris), who is grumpily awakened by his chief, KEN CALLAHAN and ordered to find Lou's killers. "I'm on suspension," Jake says, but to no avail; the suspension is canceled. To his further disgust, Jake, a loner, must work with a partner, someone as brilliant and efficient as Jake, but also as insubordinate.  In walks an attractive police officer, Lieutenant SAVANNAH BOYETTE, but she isn't his new associate. Rather, he's to work with the dog, Reno.

It turns out the bombing and murders are due to a nation-wide neo-Nazi conspiracy led by people with unsubtle names like OTTO DIETRICH. Their plan is to combine various hate groups, and bomb a ecumenical brotherhood meeting. They trap a Catholic Bishop, a rabbi, and some Indian looking guy with a pink yarmulke in a limousine with a bomb hidden underneath. Aha, but they haven't reckoned with Jake and Reno.

Reno is the real star of this movie.  The dog follows complicated orders, knows to bite through Jake's bonds without being told, and in general puts Lassie to shame. Why in the world do Lou and Jake feed him jelly donuts; don't the people in this movie know that's not healthy for dogs? And since when do police dogs wander the streets without a leash?

Otto et al need to learn the rules of successful villainy. For example--don't tell an underling to kill the hero and then you walk out of the room. Kill the hero yourself.

Jake, of course, had to disarm the bomb under the limousine. Which wire should he cut, the red or the green? I voted for the red. He doesn't get the girl in the end, but he does get the dog.

Apparently Chuck Norris is a creationist. I don't expect much from karate-expert actors, but a little intellect would be nice.

The movie has a nice though generic anti-bigotry message, but also implies that it's okay for a cop to ignore due process (by not waiting for a search warrant) if he's sure he's in the right.

This is a funny movie. It's easy to rip it apart because of all the foolishness, especially involving the dog, but the combination of action/violence and comedy make for a good workout movie. I give it ++++. It will get your pulse up to a run.

Review of AGENTS OF S.H.I.E.L.D.

AGENTS OF S.H.I.E.L.D. - episodes 1-5

2013

PHIL COULSON runs a S.H.I.E.L.D. unit--(Strategic Homeland Intervention, Enforcement and Logistics Division)--in the MARVEL universe. Phil is a strange guy. He has a red 1962 Corvette that can fly, a good sense of humor, and he wears a suit and tie everywhere, even into active combat. Though the Marvel Universe has all sorts of supernatural creatures (like Thor), there's nothing supernatural about Phil, except maybe that he's died and been resurrected under strange circumstances that even he is not aware of.

Other agents in the group include MELINDA MAY, who pilots the 'bus,' a Boeing C-17 used by the agents to resolve crises all over the world. She's a kick-ass woman who can demolish five musclemen without breaking a sweat, At the limits of credulity, yes, but not impossible. Then there is FITZ-SIMMONS--actually two people. Fitz is an adorable male computer nerd, and Simmons is an adorable female computer nerd. Or is it the opposite? Doesn't matter because you never see one without the other, though the relationship apparently is not romantic. And GRANT WARD, is the stony faced mercenary whose main complaint is having to work with the others instead of saving the world by himself.

In the pilot episode (which starts just after IRON MAN 3), the agents investigate reports of a man, MIKE PETERSON, with superhuman powers. Peterson has been injected with EXTREMIS, a serum that makes him inhumanly strong, but also a little nuts and, if he isn't treated, will make his head explode. Literally, not figurative. SKYE, a hactivist with the group RISING TIDE goes to Peterson and offers to protect him from Shield. Rising Tide' mission is to expose all secrets to the public. The Agents of Shield are good guys, but they do have secrets that they don't want revealed. Can the agents catch Peterson before he and everyone around him blows up? And what should the agents do about Skye? With her computer talents, she could be a tremendous asset to the team if she's willing to join, but can she be trusted?

The characters don't take themselves too seriously. Coulson, for example, admits his red Corvette indicates a midlife crises. In general, there's a lot of humor and irony in the series, and the mixture with the action and violent scenes works well. The series has no deep messages or social commentary, but it's fun and it can get your pulse up to a run. I give it ++++.

Review of OUTLAND

OUTLAND

1981

The titanium mine on Io, one of Jupiter's moons, is a harsh and difficult place. Federal Marshal WILLIAM O'NEIL (Sean Connery) has just been assigned to that hellhole because he has a big mouth and speaks what his superiors want unsaid. The manager of the mine, MARK SHEPHARD, welcomes O'Neal with a speech in which he brags that his miners work hard and production is high, so they can also play hard.

There is a series of strange accidents. One man hallucinates spiders on his space suit, rips it open, and his insides explode in the vacuum.  Another man attacks one of the camp's prostitutes and threatens to kill her. Security forces kill him instead. O'Neil is suspicious. He consults with the camp's doctor. MARIAN LAZARUS, an acerbic wretch who never ever shows any emotion, sentimentality or caring. Usually. She agrees to help him, searches the medical records, and discovers that dozens of similar violent deaths have occurred in the past few years. Furthermore, all of the bodies were shipped off from Io without autopsies.

Unfortunately, CAROL O'NEIL, William's wife, has gotten the courage to send him a video message saying she was leaving Io to take their son, PAUL to Earth where he can live a normal life. She begs O'Neil to join her, but he has to finish his work in the mining colony.

O'Neil goes to one of the corpses still on Io, sticks a needle in its neck to extract blood, and finds a dangerous stimulant. After more digging, he finds a whole cache of the stimulant. This is what causes the high production of the mine and also the deaths. Shepard, the manager, must be responsible. O'Neil tells him he's uncovered the secret and intends to bring Shepard down. Shepard tells O'Neil he's a dead man, and arranges for assassins to come to Io to murder O'Neil. O'Neil asks the miners if anyone will help him, but they are afraid.

Oy vay.

This should be a wonderful workout film. It has an exotic setting, emotional complications, violent fights, sometimes to the death, mystery, betrayal, likeable characters, etc, etc. But, for me at least, there was no tension. Sean Connery does die in some of his films, but I never got the feeling he could in this one. Too many factors--like people about to kill themselves, Carols announcement that she's leaving, the betrayal and, of course, O'Neil's eventual victory--are all predictable. It will get your pulse up to a jog, so I'll give it +++, but I had hoped for better.