Act one. A dark screen and ominous music. We see a beautiful
savannah with our human ancestors living their pitiful lives. Then more
advanced ancestors. The theme from R. Strauss's THUS SPAKE ZARATHUSTRA
announces the MONOLITH, a featureless gray oblong. Excited hominids gather
about it and soon afterwards discover how to use a bone as a weapon. They
exult.
Act two. A match cut switches from the bone to a space shuttle serenely approaching an artificial satellite. J. Strauss's BLUE DANUBE waltz plays in the background. HEYWOOD R. FLOYD is going to the quarantined TYCHO base on the moon. The rumor is that a dangerous infection made the quarantine necessary, but the real reason is another monolith, this one uncovered after being buried in lunar soil for three million years. The government wants this find kept secret lest it cause panic. Floyd goes to inspect the monolith just as the lunar dawn is breaking, and the artifact, seeing the sun for the first time since it was buried, sends a powerful radio signal direct to Jupiter.
Act three. Spaceship DISCOVERY, with FRANK POOLE, DAVID
BOWMAN, and HAL, a 9000 computer, (plus some hibernating scientists) are on
their way to Jupiter. All seems well, but then HAL asks Frank questions about
unprecedented secrecy surrounding their mission, and immediately afterwards
announces an impending failure in a communications unit. The astronauts
retrieve the unit, but examination shows no problem. Could HAL have made a
mistake? The 9000 computers have an absolutely error free records. Frank and
David lock themselves into an EVA pod and discuss whether HAL's intellectual
function should be shut down. However, the pod has a window, HAL has vision sensors
all over, and he can read lips...
At this point, the theater version breaks for a long
intermission. Some televised versions skip the intermission, which is a shame.
H+1 is I. A+1 is B. L=1 is M. IBM. Deny it though they may, I think it's intentional.
This movie is a masterpiece, more, I think, because of
Stanly Kubrick's directing than to Arthur C. Clark's writing. Though Kubrick
and Clark collaborated on the screenplay, the original book is standard science
fiction, while the movie is a mystical experience. The book explains the
monolith's actions, Hal's breakdown, the ornate room at the end of the film and
more. The movie only hints at these and leaves you wondering. HAL in the movie
is much more ominous than in the book, and the uneasiness of the two men when
talking to HAL is palpable.
If you've never seen this film, you're missing something. Even if you saw it decades ago, it's worth renting.
The action is unhurried. For example, while the Millennium
Falcon enters the Death Star in a few seconds, it takes a few minutes for the
Floyd's shuttle to enter the station. But the movie doesn't drag. That scene is
a dance in space and it maintains your interest. As a workout movie, the final
scenes are a bit monotonous, but the rest of the movie will easily get your
pulse up to a run. Overall, I give it ++++.
There's a sequel, 2010, which is good, but not at the same level as the original.
There's a sequel, 2010, which is good, but not at the same level as the original.
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