Sunday, April 6, 2014

Review of CASABLANCA




Drama, romance, WWII, Humphrey Bogart, Ingrid Bergman, Nazis, French resistance. 1942

"Here's looking at you, Kid."

The movie Casablanca is widely considered one of the finest movies ever made, but...a workout movie?

Yes. Absolutely.

For those unfortunates (mainly in recent generations) who have never seen it, here's a synopsis: World War II is raging. RICK BLAINE (Humphrey Bogart) runs a saloon and illegal casino in Casablanca, a city in unoccupied French territory. ("Of all the gin joints, in all the towns, in all the world, she walks into mine.") People come from Nazi occupied Europe to Casablanca hoping for visas to get them to America. Unfortunately, on the black market, visas can be gotten only for large sums of money, or, as one unhappy young lady discovers, other asses--I mean assets.
                                                                                            
VICTOR LAZLO, a leader of the resistance, is one of those looking for visas for himself and his wife. Rick happens to have two visas, but Victor's wife, ILSA (Ingrid Bergman), had once been Rick's lover and had abandoned Rick suddenly and without explanation. He's still angry and refuses to help Victor and Ilsa leave Casablanca. When Victor goes to a meeting of the underground that night, Ilsa sneaks over to Rick's hotel room and pleads for the visas, but Rick remains adamant.  Then Ilsa pulls out a gun and demands the visas. "Go ahead and shoot. You'll be doing me a favor," Rick says. From there, the plot has some interesting twists...

"...you're in love with a woman. It is perhaps a strange circumstance that we both should be in love with the same woman. The first evening I came to this cafĂ©, I knew there was something between you and Ilsa. Since no one is to blame, I - I demand no explanation." (Laslo to Rick) Rick is the protagonist, and is well played by Bogart in what is probably his best role, but the real hero of the story is Victor Lazlo. Brave, dedicated, charismatic, and understanding to the fault of being unrealistic, the man is a saint. The movie might be a little better if he showed some imperfection, but it's a minor point. Ingrid Bergman as Ilsa is just wonderful. I'm in love with her.  Talk about bedroom eyes, she has bridal suite eyes. My marriage could be in trouble, but fortunately, she's dead.

There is some mindless, institutional racism, but not vicious. The lack of any mention of the Holocaust or the psychotic anti-Semitism of the Nazis is more problematic, at least for me. Granted, the full horror wasn't known when the film was made (1942), but there was some information.'

This is a wonderful movie and a wonderful workout movie. If you've never seen it, you're in for a treat.  And even if you have seen it, it will frequently get your pulse up to a sprint. I give it +++++.

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